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                <text>CIUS Seminar Audio Part 1 and 2.&lt;br /&gt;&lt;br /&gt;The third Institute seminar in Edmonton was presented on 16 October by Markian Kowaluk, a graduate student in the Department of Slavic Languages. He spoke on "The Literary Career of Mykola Rudenko," which is also the topic of his master's thesis. Mykola Rudenko was born on 19 December 1920 in the village of Iurivka, Luhanske oblast, Ukraine, and grew up in the Donbas region among coal miners and steel workers. He entered the philological faculty of Kyiv State University in 1939, but in October of that year was drafted into the army. Critically wounded during the defence of Leningrad, he was left a permanent invalid. After the war Rudenko served as editor of R'adlanskyl pysmermyk and, from 1947 to 1950, worked as chief editor of Dnipro.&lt;br /&gt;&lt;br /&gt;Rudenko is the author of numerous books. His early poems reflect Communist ideals of heroism and devotion to the Party. One of his more acclaimed epic poems of the early period is "Leninhradtsi . " His later works are more about nature, people and social conditions in his homeland. His novels Viter v oblychehia and Ostarmla shablla became quite popular during the 1950s. Rudenko has also written short stories, popular science and science fiction. In the 1960s he underwent an ideological evolution, resulting in an open espousal of dissident ideas and leadership of the Ukrainian Helsinki group. Arrested in 1976, he was first placed in a psychiatric asylum, then in a prison camp where he remains to this day.&lt;br /&gt;&lt;br /&gt;Found in &lt;a href="http://cius-archives.ca/items/show/1574"&gt;CIUS &lt;/a&gt;&lt;span style="font-size:13px;color:#000000;font-weight:400;text-decoration:none;font-family:Arial;font-style:normal;"&gt;&lt;a href="http://cius-archives.ca/items/show/1574"&gt;Newsletter Vol 4 Issue 1 (Winter 1979)&lt;/a&gt; &lt;/span&gt;</text>
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                <text>CIUS Seminar Audio Part 1 and 2.&lt;br /&gt;&lt;br /&gt;The Institute's seminar series at the University of Alberta commenced on 18 September. Dr. Andrij Hornjatkevyc, assistant professor of Interdisciplinary Studies and Slavic languages, spoke on "The Music of the Dumy."&lt;br /&gt;&lt;br /&gt;Dr. Hornjatkevyc first addressed the question of the nature of the folk epic. It is an oral narrative that, in effect, is created anew at each performance. This skill is acquired through a lengthy period of study with a master during which the disciple acquires the "grammar" (both lexical and musical) of the art form.&lt;br /&gt;&lt;br /&gt;The speaker then showed how this process is applied to the rendering of Ukrainian dumy. He explained the compositional structure of the duma text and dwelt on the melodic mode in particular. Dr. Hornjatkevyc concluded his presentation by performing the duma about Marusia of Bohuslav while accompanying himself on the bandura.&lt;br /&gt;&lt;br /&gt;A lively discussion followed the presentation.&lt;br /&gt;&lt;br /&gt;Found in &lt;a href="http://cius-archives.ca/items/show/1574"&gt;CIUS &lt;/a&gt;&lt;span style="font-size:13px;color:#000000;font-weight:400;text-decoration:none;font-family:Arial;font-style:normal;"&gt;&lt;a href="http://cius-archives.ca/items/show/1574"&gt;Newsletter Vol 4 Issue 1 (Winter 1979)&lt;/a&gt; &lt;/span&gt;</text>
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                <text>CIUS Seminar Audio Part 1 and 2.&lt;br /&gt;&lt;br /&gt;Mr. Yuriy Stefanyk-Klynowy delivered the twelfth Institute seminar of the 1978-79 academic year at the University of Alberta. On March 20, 1979, he spoke on "Olena Teliha's Great World."&lt;br /&gt;&lt;br /&gt;The speaker reminisced about his personal encounters with the poetess and examined her work in the light of the criticism of V. Derzhavyn, Iu. Sherekh, B. Boichuk and B. Rubchak. By illustrating his points with direct quotations from O. Teliha's works, he showed how these critics were often in error.&lt;br /&gt;&lt;br /&gt;The seminar consisted of three parts: (1) personal reminiscences, (2) an analysis of the author's work, and finally (3) a discussion of her tragic death.&lt;br /&gt;&lt;br /&gt;Found in &lt;a href="http://cius-archives.ca/items/show/1572"&gt;CIUS &lt;/a&gt;&lt;span style="font-size:13px;color:#000000;font-weight:400;text-decoration:none;font-family:Arial;font-style:normal;"&gt;&lt;a href="http://cius-archives.ca/items/show/1572"&gt;Newsletter Vol 3 Issue 2 (Spring 1979)&lt;/a&gt; &lt;/span&gt;</text>
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                <text>CIUS Seminar Audio Part 1 and 2. &lt;br /&gt;&lt;br /&gt;The ninth Institute seminar of the 1978-79 academic year took place on February 20. Dr. Oleh Zujewskyj, a professor in the Department of Slavic languages at the University of Alberta, read a seminar entitled, "Taras Shevchenko: The Great Ukrainian Romanticist."&lt;br /&gt;&lt;br /&gt;The speaker emphasized that Shevchenko's membership in the romantic school (as well as the realist one) is frequently examined without a detailed and objective study of the author's worldview. For this reason critics of various persuasions all too easily dismissed the bard's romanticism and saw realism even in his early works, e.g., Velykyi liokh. This tendency began with Khvedir Vovk (T.H. Shevchenko: Ioho dumy pro hromadske zhyttia 1876) and continues through Oleksandr Biletsky (Ideino-khudozhnie znachennia poemy "Velykyi liokh": Tezy 1958).&lt;br /&gt;&lt;br /&gt;According to Dr. O. Zujewskyj this error makes it impossible to see the interrelation between the poet's worldview and his writing style. A realist can never be a (philosophical) idealist just as positivism precludes only literary romanticism.&lt;br /&gt;&lt;br /&gt;Found in &lt;a href="http://cius-archives.ca/items/show/1572"&gt;CIUS &lt;/a&gt;&lt;span style="font-size:13px;color:#000000;font-weight:400;text-decoration:none;font-family:Arial;font-style:normal;"&gt;&lt;a href="http://cius-archives.ca/items/show/1572"&gt;Newsletter Vol 3 Issue 2 (Spring 1979)&lt;/a&gt; &lt;/span&gt;</text>
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                <text>CIUS Seminar Audio Part 1 and 2. &lt;br /&gt;&lt;br /&gt;The final Institute seminar of the first term was held on December 5 when Dr. Yar Slavutych of the Department of Slavic Languages, University of Alberta, spoke on "P. Crath and T. Pavlychenko: Nationalism vs. Socialism in Ukrainian-Canadian Literature."&lt;br /&gt;&lt;br /&gt;The speaker examined the numerous poetic (seven collections) and two scholarly works of the active socialist Paul Crath [Pavlo Krat], who came to Canada in 1907 and proceeded to spread revolutionary ideas, departing from socialism to become a Protestant minister. As an ardent Ukrainian patriot, P. Crath attacked the Russian tsarist regime and yearned for an independent Ukraine during World War I.&lt;br /&gt;&lt;br /&gt;The speaker then discussed the only book of T. Pavlychenko ' s poetry Dukh natsii (Spirit of Nation). This author was a professor of the University of Saskatchewan and a known nationalist leader in Canada. In his poetry the author maintained that the strong are victorious and reject laws of higher justice. Only the cultivation of a mighty will and biological force can assure liberation from captivity. This applied both to the biological world and to nations in their historical development.&lt;br /&gt;&lt;br /&gt;The speaker presented Crath and Pavlychenko as talented poets who brought new and interesting ideas to Ukrainian-Canadian literature, and who deserve deeper and more comprehensive study.&lt;br /&gt;&lt;br /&gt;Found in &lt;a href="http://cius-archives.ca/items/show/1571"&gt;CIUS &lt;/a&gt;&lt;span style="font-size:13px;color:#000000;font-weight:400;text-decoration:none;font-family:Arial;font-style:normal;"&gt;&lt;a href="http://cius-archives.ca/items/show/1571"&gt;Newsletter Vol 3 Issue 1 (Winter 1978)&lt;/a&gt; &lt;/span&gt;</text>
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                  <text>&lt;strong&gt;&lt;strong&gt;&lt;em&gt;This special issue honours Jaroslav Rozumnyj. The theme, "Creating a Modern Ukrainian Cultural Space," brings together essays from a number of disciplines and perspectives that reflect his particular interests in cultural developments, both in Ukraine and in the diaspora communities.&lt;br /&gt;&lt;br /&gt;*A Note to Our Readers&lt;/em&gt;&lt;/strong&gt;&lt;/strong&gt;
&lt;p&gt;&lt;em&gt; After this issue had already been printed, it was brought to my attention that the book reviewed on pp. 209-13, V. P. Kotsur and A. P. Kotsur’ s Istoriohrafiia istorii Ukrainy: Kurs lektsii, had been castigated as a major example of plagiarism in Ukrainian scholarship. For details, please see Volodymyr Rychka, “Za kym b’iut 'Lytavry,’” Ukrainskyi humanitarnyi ohliad (Kyiv), issue 4 (2000): 138-42. Borys Biletsky and Pavlo Mykhailyna’s review article is their personal assessment of the book in question, and in no way should it be considered as reflecting the position of the Journal of Ukrainian Studies or the Canadian Institute of Ukrainian Studies.&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;Roman Senkus, Editor&lt;/p&gt;</text>
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