Description: On May 18, 2007 Prof. Myroslav Shkandrij (University of Manitoba) gave the 8th Danylo Husar Struk Memorial Lecture on the topic: "Kyiv Under the German Occupation, 1941-1943: Dokia Humenna's Memoirs"
]]>https://cius-archives.ca/items/show/2065 On March 7, 2007, Myroslav Shkandrij of the Department of German and Slavic Studies at the University of Manitoba speaks on: “Representations of the Jew in Ukrainian Literature.”
Description: Audio recording of 42nd Annual Shevchenko Lecture.
On March 7, 2007, Myroslav Shkandrij of the Department of German and Slavic Studies at the University of Manitoba speaks on: “Representations of the Jew in Ukrainian Literature.”
]]>https://cius-archives.ca/items/show/1992 "Ukrainian Literature and Art in the 1920s" was the title of M. Shkandrij ' s Institute seminar, held at the University of Alberta on March 13, 1979. The speaker is a lecturer at the University of Calgary.
The speaker outlined four different conceptions of art in Soviet Ukraine in the 1920s: (1) Destructivism (as illustrated by M. Semenko's futurism), (2) Constructivism (V. Polishchuk's "spirit of engineering"), (3) Monumentalism (M. Boichuk's current in ARMU (Asotsiiatsiia revoliutsiinykh mysttsiv Ukrainy), and (4) Pure Art (K. Malevych's ideas on art are the clearest formulation of this tendency) . The seminar was illustrated with appropriate slides.
"Ukrainian Literature and Art in the 1920s" was the title of M. Shkandrij ' s Institute seminar, held at the University of Alberta on March 13, 1979. The speaker is a lecturer at the University of Calgary.
The speaker outlined four different conceptions of art in Soviet Ukraine in the 1920s: (1) Destructivism (as illustrated by M. Semenko's futurism), (2) Constructivism (V. Polishchuk's "spirit of engineering"), (3) Monumentalism (M. Boichuk's current in ARMU (Asotsiiatsiia revoliutsiinykh mysttsiv Ukrainy), and (4) Pure Art (K. Malevych's ideas on art are the clearest formulation of this tendency) . The seminar was illustrated with appropriate slides.
]]>https://cius-archives.ca/items/show/1336Mapping Postcommunist Cultures: Russia and Ukraine in the Context of Globalization]]>2016-12-12T16:07:53-07:00
]]>https://cius-archives.ca/items/show/1332The Origins of the Slavic Nations: Premodern Identities in Russia, Ukraine, and Belarus]]>2016-12-12T16:10:59-07:00
]]>https://cius-archives.ca/items/show/1293The Phenomenon of the Ukrainian Avant-garde 1910-1935: Catalogue for an Exhibition Organized and Circulated by the Winnipeg Art Gallery. Le Phénomène de L'avant-garde Ukrainienne 1910-1935: Catalogue de L'exposition Itinérante Organisée par le Musée des Beaux-Arts de Winnipeg. Fenomen Ukrainskoho Avanhardu 1910-1935: Kataloh Vystavky, Orhanizovanoi Vinnipezkoiu Kartynnoiu Halereieiu]]>2016-12-12T15:16:41-07:00
]]>https://cius-archives.ca/items/show/952Soviet Nationality Policy, Urban Growth, and Identity Change in the Ukrainian SSR, 1923-1934]]>2016-11-28T14:53:02-07:00
]]>https://cius-archives.ca/items/show/871Modernists, Marxists and the Nation: The Ukrainian Literary Discussion of the 1920s]]>2016-11-28T10:33:48-07:00
]]>https://cius-archives.ca/items/show/863Spirit of Ukraine: 500 Years of Painting. Selections from the State Museum of Ukrainian Art, Kiev]]>2016-11-28T11:01:25-07:00
]]>https://cius-archives.ca/items/show/585The Politics of the Soviet Cinema, 1917-1929; Ivan Koshelivets. Oleksander Dovzhenko: Sproba Tvorchoi Biohrafii ]]>2016-11-17T10:25:05-07:00