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                <text>Zustrichi i proshchanni͡a : spohady. Knyha I</text>
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                <text>This book is the first volume of the memoirs of Hryhorii Kostiuk, a historian, publicist, and literary scholar. Kostiuk describes the momentous events that took place in Ukraine in the first half of the twentieth century. In the course of his narrative, Kostiuk records his interactions with some of the most important individuals in Ukrainian literature, science, politics, and community life.&#13;
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During his student years in Kyiv (1925–29) Kostiuk studied with such famous scholars as M. Zerov, P. Fylypovich, B. Yakubsky, S. Maslov, and M. Kalynovych. In his post-graduate years in Kharkiv (1930–33), Kostiuk’s instructors included V. S. Boyko, A. Shamrai, and O. Biletsky. In Kharkiv, Kostiuk was involved in the work of the literary organization Prolitfront, where he cooperated with M. Khvyliovy, M. Kulish, P. Tychyna, H. Epik, D. Feldman O. Vyshnia, and other leading literary figures of the 1920s. Among his friends, Kostiuk counted H. Kosynka, Yu. Yanovsky, V. Mysyk, B. Teneta, V. Sosiura, L. Pervomaiisky, I. Bahryany, T. Masenko, O. Korniichuk, and many others.&#13;
&#13;
During Stalin’s reign of terror, Kostiuk was arrested and sentenced without trial to five years in the concentration camps of Vorkuta. There he met with many veterans of the revolutionary period and survived the mass terror of 1937–8. The volume concludes with the outbreak of the Second World War. These memoirs are continued in Зустрічі і прощання: Спогади (книга друга).</text>
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                <text>This collection of forty-five essays was circulated by Zerov’s students at Kyiv University in 1928–29. Zerov’s lectures shaped the views of a generation of scholars and students, and Lektsii z Istorii Ukrains’koi Literatury makes a valuable contribution to any student’s library of Ukrainian literary criticism. Zerov’s approach may be described as historic-cultural but embracing the methods of formalist and sociological analysis. In practice, Zerov first describes and analyzes a work by tracing the cultural, literary, social and ideological development of the author, as well as investigating the characteristic techniques and style of the work and its integral connection with the theme. Finally, Zerov places the work in perspective through a comprehensive view of the work in its time and its place in the evolution of the genre. The result is a thoroughly scholarly and systematic treatment of literary history.</text>
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                  <text>&lt;p&gt;&lt;em&gt;&lt;strong&gt;This issue features an essay on the poetry of the New York Group, a sequel to the previous essay on The Ukrainian Socialist Movement in Canada (1900-1918), an analysis of the Sino-Soviet and Soviet-Rumanian disputes, a piece about Ukrainian language courses in Kiev, a brief description of the art work of Volodymyr Makarenko, a sample of Borys Korniienko's poetry, and a series of pieces on being a Ukrainian immigrant in Canada.&lt;/strong&gt;&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;</text>
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                  <text>Melanie Pytlowany, Orest T. Martynowych, Alexander Motyl', Myroslava Romakh, Volodymyr Makarenko, Borys Korniienko, Myrna Kostash, Roma Franko, M. Boshyk, K. Huytan</text>
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                <text>In response to Book Reviews by &lt;a href="http://cius-archives.ca/items/show/325" target="_blank"&gt;Marco Carynnyk (M. Kulish &lt;em&gt;Sonata Pathetique&lt;/em&gt;)&lt;/a&gt; and &lt;a href="http://cius-archives.ca/items/show/93" target="_blank"&gt;Marika Boshyk (M. Osadchyj &lt;em&gt;Bil'mo&lt;/em&gt;)&lt;/a&gt;</text>
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