1
100
10
-
https://cius-archives.ca/files/original/6c79d61cbebc978790c71971681082d5.mp3
9a78b8e02ae1c5a4b58f55a6f5487c82
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
CIUS Seminar Series
Subject
The topic of the resource
History
Art
Ukraine's Historiography
Canadian Institute of Ukrainian Studies
Canadian History
Description
An account of the resource
CIUS Seminars; lectures; visiting scholar lectures
Creator
An entity primarily responsible for making the resource
CIUS
Source
A related resource from which the described resource is derived
CIUS
Publisher
An entity responsible for making the resource available
CIUS
Date
A point or period of time associated with an event in the lifecycle of the resource
1976<span class="st">–Present</span>
Contributor
An entity responsible for making contributions to the resource
Leonid Plyushch, Jurij Borys, Andrij Makuch, Keith Spicer
Language
A language of the resource
English, Ukrainian
Type
The nature or genre of the resource
Lecture, discussion
Sound
A resource primarily intended to be heard. Examples include a music playback file format, an audio compact disc, and recorded speech or sounds.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Digital audio recording
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Group-sourcing Ukrainian Folklore: Involving the Community in Research
Subject
The topic of the resource
Folk
Folklore
Ukrainian Canadians
Description
An account of the resource
CIUS seminar audio.<br /><br />On February 17, 2011, Natalie Kononenko (Kule Chair of Ukrainian Ethnography at the Kule Centre for Ukrainian and Canadian Folklore, Modern Languages and Cultural Studies, University of Alberta), gave a seminar on the topic: “Group-sourcing Ukrainian Folklore: Involving the Community in Research.”<br /><br />Found in <a href="http://cius-archives.ca/items/show/1618">CIUS <span style="font-size:13px;color:#000000;font-weight:400;text-decoration:none;font-family:Arial;font-style:normal;">Newsletter 2011</span></a>
Creator
An entity primarily responsible for making the resource
CIUS
Publisher
An entity responsible for making the resource available
CIUS
Date
A point or period of time associated with an event in the lifecycle of the resource
February 17, 2011
Contributor
An entity responsible for making contributions to the resource
Natalie Kononenko
Language
A language of the resource
English, Ukrainian
Canadian Institute of Ukrainian Studies
CIUS
Community
Folk
Folklore
Group
Involving
Natalie Kononenko
Research
Sourcing
Ukraine
Ukrainian
-
https://cius-archives.ca/files/original/7ab24a39a57c836740eb265d71213ff0.mp3
3010c3e0a1ac81b6fa7a5d2972b7488a
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
CIUS Seminar Series
Subject
The topic of the resource
History
Art
Ukraine's Historiography
Canadian Institute of Ukrainian Studies
Canadian History
Description
An account of the resource
CIUS Seminars; lectures; visiting scholar lectures
Creator
An entity primarily responsible for making the resource
CIUS
Source
A related resource from which the described resource is derived
CIUS
Publisher
An entity responsible for making the resource available
CIUS
Date
A point or period of time associated with an event in the lifecycle of the resource
1976<span class="st">–Present</span>
Contributor
An entity responsible for making contributions to the resource
Leonid Plyushch, Jurij Borys, Andrij Makuch, Keith Spicer
Language
A language of the resource
English, Ukrainian
Type
The nature or genre of the resource
Lecture, discussion
Sound
A resource primarily intended to be heard. Examples include a music playback file format, an audio compact disc, and recorded speech or sounds.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Digital audio recording
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Parliamentary Elections in Ukraine and ‘The Cat’: Politics Meets Folklore
Subject
The topic of the resource
Contemporary Ukraine
Elections
Folk
Folklore
Description
An account of the resource
CIUS seminar audio.<br /><br />On October 12, 2012 CIUS hosted a round table on the topic: “The Parliamentary Elections in Ukraine and ‘The Cat’: Politics Meets Folklore” (cosponsored by the Kule Chair in Ukrainian Ethnography).<br /><br />Presenters included Bohdan Harasymiw (professor emeritus, U of Calgary), Natalie Kononenko (MLCS, U of A), David Marples (Department of History and Classics, U of A), and Myroslava Uniat (MLCS, U of A).<br /><br />Found in <a href="http://cius-archives.ca/items/show/1620">CIUS <span style="font-size:13px;color:#000000;font-weight:400;text-decoration:none;font-family:Arial;font-style:normal;">Newsletter 2013</span></a>
Creator
An entity primarily responsible for making the resource
CIUS
Publisher
An entity responsible for making the resource available
CIUS
Date
A point or period of time associated with an event in the lifecycle of the resource
October 12, 2012
Contributor
An entity responsible for making contributions to the resource
Bohdan Harasymiw, Natalie Kononenko, David Marples, Myroslava Uniat
Bohdan Harasymiw
Canadian Institute of Ukrainian Studies
CIUS
David Marples
Election
Elections
Folk
Folklore
Meets
Myroslava Uniat
Natalie Kononenko
Parliament
Parliamentary
Politics
Rule of law
The Cat
Ukraine
Ukrainian
-
https://cius-archives.ca/files/original/8473c7b7cea026da8ea2244a96674ec1.mp3
954bf6f6bcc51cb4d541a8f41d5bca84
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Sanctuary: The Spiritual Heritage Documentation Project (Planning Conference)
Description
An account of the resource
This year the program initiated Sanctuary: The Spiritual Heritage Documentation Project. A planning conference was held on 26 January 2008, and the materials are available on the CIUS Religion and Culture website: http://www.ualberta.ca/cius/religion-culture/c-sanctuaryworkshop.htm. The planning conference established the basic parameters of the project: <br /><br />digitizing, as comprehensively as possible, existing records, such as old photographs, paintings, and videos, whether in church, public, or individual possession, for a central digital record to be housed at the University of Alberta;<br /><br /> systematically and comprehensively documenting anew all churches (exterior and interior), paintings, carvings, church vessels, furnishings, banners, vestments, bell towers, cemeteries, tombstones, and chapels in the Ukrainian prairie settlements, including making virtual reality movies;<br /><br /> digitizing all historic recordings of church music from the parishes and videorecording liturgical services;<br /><br /> interviewing on site (priest, caretaker, parishioners) and interviewing artists and architects who worked on the churches;<br /><br /> linking the collected materials in a searchable database(s);<br /><br /> making most of the material available to the public and to scholars worldwide on the Internet;<br /><br /> presenting the results of our studies in the parish communities as lectures and in printed form;<br /><br /> also presenting the results at learned conferences and meetings of professional associations (such as the Alberta Museums Association, the Folklore Studies Association of Canada, the Canadian Association of Slavists, and the Canadian Historical Association). <br /><br /> This project is timely in two ways. First, it is a response to a crisis. The Ukrainian churches and related monuments in prairie communities are under threat. Many churches are being vandalized, falling into disrepair, or even collapsing. Small and aging congregations are unable to provide the security and maintenance necessary to preserve physical structures. To obtain a record of the sacral marks that Ukrainians made on the prairies, it is necessary to act within this coming decade. Second, the project is a response to an opportunity. We now have a kind of technology that allows us to make many thousands of photographs at low cost, store them in a small space, integrate them in searchable databases, and diffuse them globally. It is envisioned that Sanctuary will bring grantees from Ukraine to Canada to contribute to the project and gain experience from it. The program is applying for grants in order to fund the project.
Creator
An entity primarily responsible for making the resource
CIUS
Publisher
An entity responsible for making the resource available
CIUS
Date
A point or period of time associated with an event in the lifecycle of the resource
January 26, 2008
Contributor
An entity responsible for making contributions to the resource
John-Paul Himka, Frances Swyripa, Ostap Skrypnyk, John Lehr, John Sokolowski, Ed Ledohowski, Stella Hryniuk, Roman Yereniuk, Gloria Romaniuk, Bohdan Hrynyshyn, Peter Holloway, Natalie Kononenko, Marusia Petryshyn, Thomas Nahachewsky, Jars Balan
Language
A language of the resource
English, Ukrainian
Subject
The topic of the resource
A project to make sure that Ukrainian sacred culture on the prairies is well documented for future scholars and for future generations.
Sound
A resource primarily intended to be heard. Examples include a music playback file format, an audio compact disc, and recorded speech or sounds.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Digital audio recording
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Part 6: Discussion
Subject
The topic of the resource
Religion and Culture Program
Canadian Prairies
Church
Description
An account of the resource
<span class="element-text">CIUS conference audio (Part 6 of 16)<br /><br />Outline of presentation:<br /><br /></span>Interesting additional information on graveyards, crosses (much discussion of three-barred crosses). (Bohdan Hrynyshyn, Jars Balan, Andrij Hornjatkevyc, others) It is important to note that Ukrainians were next to other ethnic groups. We should consider graveyards where Ukrainians were in a minority. Ukrainians were also buried in largely Polish cemeteries. She cited some examples. We should look at these. (Stella Hryniuk) There are missing cemeteries. Saskatchewan Genealogical Society is trying to piece together all the cemeteries. Looking for volunteers to deal with ethnic cemeteries. (Ostap Skrypnyk) Plea to publicize more widely the kind of information presented at this session. (Oksana Ensslen) There are resources from the province for this kind of project. On p. 21 of Frances’ survey there are lists of churches according to three categories. Resources in all of these categories are eligible for preservation funding, and that includes funding for documentation. There are also ways to apply to get other churches put into these categories. Alberta Tourism etc. Good to partner with municipalities. (Matthew Francis) 10:30-11:30: Manitoba: A Case Study<br /><br /><span class="element-text"><a href="https://cius-archives.ca/items/show/2172">Outline found in this PDF</a></span>
Creator
An entity primarily responsible for making the resource
CIUS
Publisher
An entity responsible for making the resource available
CIUS
Date
A point or period of time associated with an event in the lifecycle of the resource
January 26, 2008
Language
A language of the resource
English
Contributor
An entity responsible for making contributions to the resource
John-Paul Himka, Frances Swyripa, Ostap Skrypnyk, John Lehr, John Sokolowski, Ed Ledohowski, Stella Hryniuk, Roman Yereniuk, Gloria Romaniuk, Bohdan Hrynyshyn, Peter Holloway, Natalie Kononenko, Marusia Petryshyn, Thomas Nahachewsky, Jars Balan
Alberta
Archival
Archive
Bell Towers
Bohdan Hrynyshyn
Canada
Canadian
Canadian Institute of Ukrainian Studies
Cemeteries
Chapels
Church
Church Music
Churches
CIUS
Culture
Digitization
Documentation Project
Ed Ledohowski
Frances Swyripa
Gloria Romaniuk
Heritage
Icons
Jars Balan
John Lehr
John Sokolowski
John-Paul Himka
Manitoba
Marusia Petryshyn
Natalie Kononenko
Ostap Skrypnyk
Parish
Peter Holloway
Photography
Prairie
Prairies
Preservation
Protection
Recordings
Roman Yereniuk
Rural
Sacred
Sanctuary
Saskatchewan
Spiritual
Stella Hryniuk
Thomas Nahachewsky
Tombstones
Ukraine
Ukrainian
-
https://cius-archives.ca/files/original/78681108ea09be76c0a8786ad7e43c4c.mp3
70e3039bcf308a7faaa70f57e8d32283
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Sanctuary: The Spiritual Heritage Documentation Project (Planning Conference)
Description
An account of the resource
This year the program initiated Sanctuary: The Spiritual Heritage Documentation Project. A planning conference was held on 26 January 2008, and the materials are available on the CIUS Religion and Culture website: http://www.ualberta.ca/cius/religion-culture/c-sanctuaryworkshop.htm. The planning conference established the basic parameters of the project: <br /><br />digitizing, as comprehensively as possible, existing records, such as old photographs, paintings, and videos, whether in church, public, or individual possession, for a central digital record to be housed at the University of Alberta;<br /><br /> systematically and comprehensively documenting anew all churches (exterior and interior), paintings, carvings, church vessels, furnishings, banners, vestments, bell towers, cemeteries, tombstones, and chapels in the Ukrainian prairie settlements, including making virtual reality movies;<br /><br /> digitizing all historic recordings of church music from the parishes and videorecording liturgical services;<br /><br /> interviewing on site (priest, caretaker, parishioners) and interviewing artists and architects who worked on the churches;<br /><br /> linking the collected materials in a searchable database(s);<br /><br /> making most of the material available to the public and to scholars worldwide on the Internet;<br /><br /> presenting the results of our studies in the parish communities as lectures and in printed form;<br /><br /> also presenting the results at learned conferences and meetings of professional associations (such as the Alberta Museums Association, the Folklore Studies Association of Canada, the Canadian Association of Slavists, and the Canadian Historical Association). <br /><br /> This project is timely in two ways. First, it is a response to a crisis. The Ukrainian churches and related monuments in prairie communities are under threat. Many churches are being vandalized, falling into disrepair, or even collapsing. Small and aging congregations are unable to provide the security and maintenance necessary to preserve physical structures. To obtain a record of the sacral marks that Ukrainians made on the prairies, it is necessary to act within this coming decade. Second, the project is a response to an opportunity. We now have a kind of technology that allows us to make many thousands of photographs at low cost, store them in a small space, integrate them in searchable databases, and diffuse them globally. It is envisioned that Sanctuary will bring grantees from Ukraine to Canada to contribute to the project and gain experience from it. The program is applying for grants in order to fund the project.
Creator
An entity primarily responsible for making the resource
CIUS
Publisher
An entity responsible for making the resource available
CIUS
Date
A point or period of time associated with an event in the lifecycle of the resource
January 26, 2008
Contributor
An entity responsible for making contributions to the resource
John-Paul Himka, Frances Swyripa, Ostap Skrypnyk, John Lehr, John Sokolowski, Ed Ledohowski, Stella Hryniuk, Roman Yereniuk, Gloria Romaniuk, Bohdan Hrynyshyn, Peter Holloway, Natalie Kononenko, Marusia Petryshyn, Thomas Nahachewsky, Jars Balan
Language
A language of the resource
English, Ukrainian
Subject
The topic of the resource
A project to make sure that Ukrainian sacred culture on the prairies is well documented for future scholars and for future generations.
Sound
A resource primarily intended to be heard. Examples include a music playback file format, an audio compact disc, and recorded speech or sounds.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Digital audio recording
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Part 9: Building on and Learning from What's Been Done (discussion)
Subject
The topic of the resource
Religion and Culture Program
Church
Canadian Prairies
Description
An account of the resource
<div class="element-text five columns omega">
<p><span class="element-text">CIUS conference audio (Part 9 of 16)<br /><br />Outline of presentation:<br /><br />Directed by Frances Swyripa<br /><br /></span>Ed Ledohowski also knows an art photographer from Massachusetts who has been taking the churches. Looking for a repository for his work.<br />Faith vs. heritage. Funding – can we get the same today? Manageability, duplication. (Frances Swyripa)<br />Modeling a project the way we did made it possible to include volunteers. This is a project with time running out. People are dying, losing their memories. Maybe there’s a 10-year window to do this. (Stella Hryniuk)<br />The students had a guidebook on how to take the photographs, in what order. They had also black velvet for photographing objects. (Roman Yereniuk)<br />Set up a field school in connection with the Folklore Center to work on this project. They would get training in field methodology. (Natalka Kononenko)<br />Maybe this could be done in conjunction with History and Classics. (Frances Swyripa) Or HUCO or Library. (Natalka Kononenko)<br />Oral history at this stage is risky. Memories are jumbled. Parish archives are lost or sitting molding in someone’s basement. Chasing congregational records is not easy. There is little info on material history in church archives. Ukrainian newspapers are useful in this regard, esp. in early years – correspondences about churches. Artistic photography and paintings important, but also documentary archival photography. (Jars Balan)<br />Aerial photos – the Ukrainian Cultural Heritage Village has some, that are relevant to their own buildings. Provincial govt has internships through Athabasca U, U of Calgary. (Stefan Sokolowski)<br />Ukrainian Village has three churches. They have very detailed reports about them (materials, etc.). Bobersky photographs in Oseredok, Winnipeg. Thinks Ukrainian halls should also be included. Some cemeteries are not related to churches. Not only the prairies but Ontario. Film on Saskatchewan grave maker on YouTube. (Peter Melnycky)<br />We should restrict to religious objects. (Frances Swyripa)<br />Bobersky photos are bizarrely coded and hardly described. U of A did some itinerary of the collection, but it’s not a very usable collection. She is now visiting churches in Alberta and is impressed by some of the archival improvement introduced by Metropolitan Lawrence. The context is very important – the spirituality. There is a large Lipinsky collection looking for a home. (Gloria Romaniuk)<br />UCAMA has black-and-white photos taken by Mr. Jopyk in the 1970s, also paintings by Pani Iwanets (already digitally photographed). Are digital methods safe for preservation? (Michelle Tracey)<br />Since we will be working with young people, students, we have to be aware of distinctions between faith, theology, spirituality. The latter – the personal connection – will interest and motivate students the most today. This was not addressed in their project, although they did have people interested in the institutional church, theology, belief. All of these aspects have to be addressed. More than “religion.” Sometimes there are halls where churches used to be. Winnipeg Tribune photos and descriptions are in U of M archives – valuable stuff there. (Stella Hryniuk)<br />Lots in the consistory archives of the Orthodox church in Winnipeg. Perhaps a proper archive could result from this project. (Sandy Sawchuk) UCAMA is trying to build a safe environment and would be a proper archive in the future. (Michelle Tracey)<br />The Russo-Orthodox are warm, but they will be suspicious. Who is asking? What will it be used for? She herself is connected with this church. She knows that people are not aware of the value of what they have. The project would be a learning experience for people. She has church archives in her own home! (Sylvia Chinery)<br />How should we go about making contact with the rural communities? (Frances Swyripa)<br />Even if we just identify what has been done, it will be a great thing. We must also identify who can help us with this project. We also have to identify the sources of funds. Alberta govt promises money for cultural projects – get them while they’re being offered. (Peter Savaryn)<br />Perhaps compile a list of methodologies to develop a template. Cooperation between projects in Manitoba was important – this project should do the same. And avoid duplication. Don’t redo Ed’s project where Ed’s doing it. Devolution important to management. (Brian Cherwick)<br />Should we put everything on line? (Frances Swyripa)<br />The community will like digital resources, genealogy people, historical background of family. If it’s digitized, it’s available all over. (Anne-Marie Decore)<br />And more.<br />1:30-2:30: Technical Aspects, Part 1<br /><br /><span class="element-text"><a href="https://cius-archives.ca/items/show/2172">Outline found in this PDF</a></span></p>
</div>
Creator
An entity primarily responsible for making the resource
CIUS
Publisher
An entity responsible for making the resource available
CIUS
Date
A point or period of time associated with an event in the lifecycle of the resource
January 26, 2008
Language
A language of the resource
English
Contributor
An entity responsible for making contributions to the resource
John-Paul Himka, Frances Swyripa, Ostap Skrypnyk, John Lehr, John Sokolowski, Ed Ledohowski, Stella Hryniuk, Roman Yereniuk, Gloria Romaniuk, Bohdan Hrynyshyn, Peter Holloway, Natalie Kononenko, Marusia Petryshyn, Thomas Nahachewsky, Jars Balan
Alberta
Archival
Archive
Bell Towers
Bohdan Hrynyshyn
Canada
Canadian
Canadian Institute of Ukrainian Studies
Cemeteries
Chapels
Church
Church Music
Churches
CIUS
Culture
Digitization
Documentation Project
Ed Ledohowski
Frances Swyripa
Gloria Romaniuk
Heritage
Icons
Jars Balan
John Lehr
John Sokolowski
John-Paul Himka
Manitoba
Marusia Petryshyn
Natalie Kononenko
Ostap Skrypnyk
Parish
Peter Holloway
Photography
Prairie
Prairies
Preservation
Protection
Recordings
Roman Yereniuk
Rural
Sacred
Sanctuary
Saskatchewan
Spiritual
Stella Hryniuk
Thomas Nahachewsky
Tombstones
Ukraine
Ukrainian
-
https://cius-archives.ca/files/original/0bf49e0f76217cd05e3b2647eaa71051.mp3
b0650311b2e864dfdea13731cfd76cfe
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Sanctuary: The Spiritual Heritage Documentation Project (Planning Conference)
Description
An account of the resource
This year the program initiated Sanctuary: The Spiritual Heritage Documentation Project. A planning conference was held on 26 January 2008, and the materials are available on the CIUS Religion and Culture website: http://www.ualberta.ca/cius/religion-culture/c-sanctuaryworkshop.htm. The planning conference established the basic parameters of the project: <br /><br />digitizing, as comprehensively as possible, existing records, such as old photographs, paintings, and videos, whether in church, public, or individual possession, for a central digital record to be housed at the University of Alberta;<br /><br /> systematically and comprehensively documenting anew all churches (exterior and interior), paintings, carvings, church vessels, furnishings, banners, vestments, bell towers, cemeteries, tombstones, and chapels in the Ukrainian prairie settlements, including making virtual reality movies;<br /><br /> digitizing all historic recordings of church music from the parishes and videorecording liturgical services;<br /><br /> interviewing on site (priest, caretaker, parishioners) and interviewing artists and architects who worked on the churches;<br /><br /> linking the collected materials in a searchable database(s);<br /><br /> making most of the material available to the public and to scholars worldwide on the Internet;<br /><br /> presenting the results of our studies in the parish communities as lectures and in printed form;<br /><br /> also presenting the results at learned conferences and meetings of professional associations (such as the Alberta Museums Association, the Folklore Studies Association of Canada, the Canadian Association of Slavists, and the Canadian Historical Association). <br /><br /> This project is timely in two ways. First, it is a response to a crisis. The Ukrainian churches and related monuments in prairie communities are under threat. Many churches are being vandalized, falling into disrepair, or even collapsing. Small and aging congregations are unable to provide the security and maintenance necessary to preserve physical structures. To obtain a record of the sacral marks that Ukrainians made on the prairies, it is necessary to act within this coming decade. Second, the project is a response to an opportunity. We now have a kind of technology that allows us to make many thousands of photographs at low cost, store them in a small space, integrate them in searchable databases, and diffuse them globally. It is envisioned that Sanctuary will bring grantees from Ukraine to Canada to contribute to the project and gain experience from it. The program is applying for grants in order to fund the project.
Creator
An entity primarily responsible for making the resource
CIUS
Publisher
An entity responsible for making the resource available
CIUS
Date
A point or period of time associated with an event in the lifecycle of the resource
January 26, 2008
Contributor
An entity responsible for making contributions to the resource
John-Paul Himka, Frances Swyripa, Ostap Skrypnyk, John Lehr, John Sokolowski, Ed Ledohowski, Stella Hryniuk, Roman Yereniuk, Gloria Romaniuk, Bohdan Hrynyshyn, Peter Holloway, Natalie Kononenko, Marusia Petryshyn, Thomas Nahachewsky, Jars Balan
Language
A language of the resource
English, Ukrainian
Subject
The topic of the resource
A project to make sure that Ukrainian sacred culture on the prairies is well documented for future scholars and for future generations.
Sound
A resource primarily intended to be heard. Examples include a music playback file format, an audio compact disc, and recorded speech or sounds.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Digital audio recording
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Part 11: Making Virtual Reality Tours of Ukrainian and Canadian Churches
Subject
The topic of the resource
Canadian Prairies
Church
Religion and Culture Program
Description
An account of the resource
<span class="element-text">CIUS conference audio (Part 11 of 16)<br /><br />Outline of presentation:<br /><br /></span>Virtual Reality Movies used in Ukrainian ethnographic research, spatial stuff. Used a parabolic mirror attached to a digital camera. Computer software can generate that into a panorama, which can be made into a VR movie. You can have hot spots on the VR movie where you can click and get an enlargement. www.arts.ualberta.ca/uvp/.<br />He decided to find out how long it would take to do a VR of St. Anthony’s. It took six hours total, 90 minutes of filming, 4.5 hours at computer.<br />They have actual 3-minute interviews on line. Talking about people buried in the cemetery. Examples of VR movies. [Lots of oohs and ahs from the audience.] VR excellent for artifacts and vestments. You can rotate things. See the Kunda ceramics section of the website. It takes about 36 shots to do an object. The techniques are described on the website itself.<br />direct links to the Alberta Churches and Ukrainian Churches on the "uvp" web site: http://www.arts.ualberta.ca/uvp/pages/media/abchurches/ http://www.arts.ualberta.ca/uvp/pages/media/churches/<br />2:30-3:30: What Kind of Information Do We Need to Gather?<br /><br /><span class="element-text"><a href="https://cius-archives.ca/items/show/2172">Outline found in this PDF</a></span>
Creator
An entity primarily responsible for making the resource
CIUS
Publisher
An entity responsible for making the resource available
CIUS
Date
A point or period of time associated with an event in the lifecycle of the resource
January 26, 2008
Contributor
An entity responsible for making contributions to the resource
Peter Holloway, Natalie Kononenko
Language
A language of the resource
English
Natalie Kononenko
Peter Holloway
-
https://cius-archives.ca/files/original/28c9e296ee9b4674679e4db3fcac5e56.mp3
dcdd6ba24cacde2abea7827351d9f1f1
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Sanctuary: The Spiritual Heritage Documentation Project (Planning Conference)
Description
An account of the resource
This year the program initiated Sanctuary: The Spiritual Heritage Documentation Project. A planning conference was held on 26 January 2008, and the materials are available on the CIUS Religion and Culture website: http://www.ualberta.ca/cius/religion-culture/c-sanctuaryworkshop.htm. The planning conference established the basic parameters of the project: <br /><br />digitizing, as comprehensively as possible, existing records, such as old photographs, paintings, and videos, whether in church, public, or individual possession, for a central digital record to be housed at the University of Alberta;<br /><br /> systematically and comprehensively documenting anew all churches (exterior and interior), paintings, carvings, church vessels, furnishings, banners, vestments, bell towers, cemeteries, tombstones, and chapels in the Ukrainian prairie settlements, including making virtual reality movies;<br /><br /> digitizing all historic recordings of church music from the parishes and videorecording liturgical services;<br /><br /> interviewing on site (priest, caretaker, parishioners) and interviewing artists and architects who worked on the churches;<br /><br /> linking the collected materials in a searchable database(s);<br /><br /> making most of the material available to the public and to scholars worldwide on the Internet;<br /><br /> presenting the results of our studies in the parish communities as lectures and in printed form;<br /><br /> also presenting the results at learned conferences and meetings of professional associations (such as the Alberta Museums Association, the Folklore Studies Association of Canada, the Canadian Association of Slavists, and the Canadian Historical Association). <br /><br /> This project is timely in two ways. First, it is a response to a crisis. The Ukrainian churches and related monuments in prairie communities are under threat. Many churches are being vandalized, falling into disrepair, or even collapsing. Small and aging congregations are unable to provide the security and maintenance necessary to preserve physical structures. To obtain a record of the sacral marks that Ukrainians made on the prairies, it is necessary to act within this coming decade. Second, the project is a response to an opportunity. We now have a kind of technology that allows us to make many thousands of photographs at low cost, store them in a small space, integrate them in searchable databases, and diffuse them globally. It is envisioned that Sanctuary will bring grantees from Ukraine to Canada to contribute to the project and gain experience from it. The program is applying for grants in order to fund the project.
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CIUS
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CIUS
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January 26, 2008
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John-Paul Himka, Frances Swyripa, Ostap Skrypnyk, John Lehr, John Sokolowski, Ed Ledohowski, Stella Hryniuk, Roman Yereniuk, Gloria Romaniuk, Bohdan Hrynyshyn, Peter Holloway, Natalie Kononenko, Marusia Petryshyn, Thomas Nahachewsky, Jars Balan
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English, Ukrainian
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A project to make sure that Ukrainian sacred culture on the prairies is well documented for future scholars and for future generations.
Sound
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Digital audio recording
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Title
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Part 12: Open Discussion Directed by Frances Swyripa
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Canadian Prairies
Church
Religion and Culture Program
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<span class="element-text">CIUS conference audio (Part 12 of 16)<br /><br />Outline of presentation:<br /><br />Change of chair because JPH wanted to continue writing up the discussion.<br />Need to do a survey of what’s already out there. (Ostap Skrypnyk)<br />Churches were torn down, closed, burned down. Catholic church wants to preserve heritage and identity. But it comes down to priorities. From the church’s point of view, the parish community is what is to be served. Sometimes in these small communities, fixing up the church takes up too much time and energy, limiting their faith time. The church is worried about the salvation of the community. The building should be for the community, not the other way around. Sometimes only 5 people at a service, sometimes only 1. The Church would like to have a foundation that would have a lot of money and preserve all the churches, but there is no such thing now. It is also important to preserve the heritage. The minutes of meetings and bills would provide valuable information (minute books and financial records). Clergy are an important source. They go out there, perform services, visit the cemeteries. Metropolitan Lawrence also has many photos and videos of his visits – parishioners give him copies. Now he is being given DVDs of services. Old liturgical services are important. Brazil has a similar experience, though much harder. Brazilians have different carols. Different variants of music. Comparative angles. (Metropolitan Lawrence)<br />Putting too much info on the web could raise security issues. (Oksana) We could restrict access. (Bohdan Hrynyshyn)<br />Need to collect contact information. Not easy at all. In some cases the only person who is in anyway responsible might be the German farmer next door who cuts the grass. Contacts are aging – he reads the obituaries to see if the guys who opened the churches haven’t passed away. (Jars Balan)<br />We tried to record everything in full complexity. It’s too much even for students. We have to work on two levels – a research/archival tier which needs a full database and a public level that has been processed by scholars. (Natalka Kononenko)<br />From Regina. Has a bit of a plan of his own and is looking to merge projects. His project coming from the (Ukrainian Orthodox) church out rather than from scholars. Already when he first began to be interested in these things, he saw ten-inch trees on cemeteries. He would like more technical help, advice about proper documentation. It would be good to be part of a larger, directed project. Not just students but retired professional people. Importance of volunteers. How do we coordinate? avoid duplication? There needs to be some kind of coordinating body laying out a plan of action. Needed: determining the tools, assisting in training. (Yaroslav Lozowchuk)<br />She remembers how the community was split over saving the Portage la Prairie church. Diocese should help with conflict resolution. The best contacts, in her experience, are old women. Excellent materials in Ukraine – archives of Sheptytsky. Archives of Sister Servants also in Ukraine. (Stella Hryniuk)<br />This is a project in lieu of preservation. But many conversations go back to physical preservation. Visual? or also archival? documentation? thorough? or documentation restricted to visual culture. (Frances Swyripa)<br />We need a committee with a representative from each area. Digital storage is a very difficult issue right now. Shortages of digital storage at the U of A. Not just buying, but upkeep, back up. (Natalka Kononenko)<br />We should restrict ourselves to digital, not materials. We can go beyond the university for cheap storage. (Bohdan Hrynyshyn)<br />Need to go through church boards. 6-7 of these generally run with one clergyman so you can have a meeting with reps and the clergyman. Have one team going in, or risk more distrust. (Sylvia Chinery)<br />Her experience – people demanded to be included in the project (historic buildings in 1970s project). (Frances Swyripa)<br />Every medium will have issues. You have to plan resources for update and maintenance of data. Otherwise you will lose things one way or another. Need to plan for that. (Lee Ramsdell)<br />4:00-5:00: Technical Aspects, Part 2<br /></span>
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CIUS
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CIUS
Date
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January 26, 2008
Language
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English
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John-Paul Himka, Frances Swyripa, Ostap Skrypnyk, John Lehr, John Sokolowski, Ed Ledohowski, Stella Hryniuk, Roman Yereniuk, Gloria Romaniuk, Bohdan Hrynyshyn, Peter Holloway, Natalie Kononenko, Marusia Petryshyn, Thomas Nahachewsky, Jars Balan
Alberta
Archival
Archive
Bell Towers
Bohdan Hrynyshyn
Canada
Canadian
Canadian Institute of Ukrainian Studies
Cemeteries
Chapels
Church
Church Music
Churches
CIUS
Culture
Digitization
Documentation Project
Ed Ledohowski
Frances Swyripa
Gloria Romaniuk
Heritage
Icons
Jars Balan
John Lehr
John Sokolowski
John-Paul Himka
Manitoba
Marusia Petryshyn
Natalie Kononenko
Ostap Skrypnyk
Parish
Peter Holloway
Photography
Prairie
Prairies
Preservation
Protection
Recordings
Roman Yereniuk
Rural
Sacred
Sanctuary
Saskatchewan
Spiritual
Stella Hryniuk
Thomas Nahachewsky
Tombstones
Ukraine
Ukrainian
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https://cius-archives.ca/files/original/ffbaa03836dce573b9ac866c7234cb32.pdf
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https://cius-archives.ca/files/original/7479f630d213b976d5822b77031f1117.pdf
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CIUS Press Releases 2009
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4 August 2009—Champions of Philanthropy: New Book Honours Peter and Doris Kule
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4 August 2009
Language
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English, Ukrainian
Subject
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CIUS Publications
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CIUS Press
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CIUS
CIUS Publications
Natalie Kononenko
Peter and Doris Kule
Serge Cipko
-
https://cius-archives.ca/files/original/b6188ee97eae72a0313f290230737f2a.pdf
329511440b9aaf8efa29ba3c7e9caa44
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Journal of Ukrainian Studies Vol 32 Issue 1
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<strong><em> </em></strong>
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<strong><em>This issue features articles on the early comedies of the dramatist Mykola Kulish, postmodern approaches to the representation of reality in contemporary Ukrainian and Russian literatures, "geopoetic" models in postmodern Ukrainian and Czech prose, the evolution of the party system in Ukraine after the Orange Revolution and memories of the Second World War in recent Ukrainian election campaigns.</em></strong><br /><br />
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CIUS
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CIUS
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CIUS
Date
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Summer 2007
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Marko Robert Stech, Roman Ivashkiv, Alexander Kratochvil, Michał Wawrzonek, Bohdan Harasymiw, Anna Makolkin, Roman I. Shiyan, Peter J. Melnycky, John-Paul Himka, Ihor Stebelsky, Valerii Polkovsky, Marko Robert Stech, Maria Salomon Arel, Thomas M. Prymak, Natalie Kononenko, Paul Bushkovitch, Vitaly Chernetsky, John-Paul Himka, Marta Tarnawsky
Language
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English
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Volodymyr Boichuk. <em>Vivady: Vesilni Pisni Ukrainstiv Bosnii</em>
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Natalie Kononenko
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CIUS
Date
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Summer 2007
Language
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English
Natalie Kononenko
Review
Ukrainians in Bosnia
-
https://cius-archives.ca/files/original/b99983e258ecdb70b091d5fd8f93c346.pdf
217dbd0ef0ac6f15b90fefce6fdd82cd
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Journal of Ukrainian Studies Vol 32 Issue 2
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<address><strong> </strong></address>
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CIUS
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CIUS
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<p><strong><em><strong>This special issue devoted to the eminent literary scholar Dmytro Chyzhevsky (1894-1977) was planned by Dr. Taras Zakydalsky as a tribute to mark the thirtieth anniversary of Chyzhevsky's passing. Sadly, Dr. Zakydalsky unexpectedly passed away in November 2007 before he was able to complete his work. This issue was coordinated in Kyiv by Iryna Valiavko, who worked with the contributors and passed on their articles for translation and editing. It opens with a remembrance of Taras Zakydalsky by Roman Senkus, and contains six articles devoted to various aspects of Dmytro Chyzhevsky's scholarly legacy. The book-review section covers eleven recent publications.</strong></em><br /><br /><br /></strong></p>
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CIUS
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Winter 2007
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English
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Roman Senkus, Iryna Bondarevska, Larysa Dovha, Roman Mnich, Maria Vasilieva, Werner Korthaase, Maryna Tkachuk, Iryna Valiavko, Myroslav Shkandrij, Peter Sawczak, Mykola Soroka, Bohdan Harasymiw, Serhy Yekelchyk, Thomas M. Prymak, Michael Moser, Natalie Kononenko, Frank Simpson
Text
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Roman Paul Fodchuk. <em>Zhorna: Material Culture of the Ukrainian Pioneers</em>
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Natalie Kononenko
Publisher
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CIUS
Date
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Winter 2007
Language
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English
Material Culture
Natalie Kononenko
Review
Roman Paul Fodchuk
Ukrainian Pioneers
-
https://cius-archives.ca/files/original/c14bfc42ac09a07a887df835078ad54b.pdf
6ba0f07ccf6c88129b93faf22bd6e4fc
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Journal of Ukrainian Studies Vol 25 Issue 1–2
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Culture
Ukrainian Literature
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<strong><strong><em>This special issue honours Jaroslav Rozumnyj. The theme, "Creating a Modern Ukrainian Cultural Space," brings together essays from a number of disciplines and perspectives that reflect his particular interests in cultural developments, both in Ukraine and in the diaspora communities.<br /><br />*A Note to Our Readers</em></strong></strong>
<p><em> After this issue had already been printed, it was brought to my attention that the book reviewed on pp. 209-13, V. P. Kotsur and A. P. Kotsur’ s Istoriohrafiia istorii Ukrainy: Kurs lektsii, had been castigated as a major example of plagiarism in Ukrainian scholarship. For details, please see Volodymyr Rychka, “Za kym b’iut 'Lytavry,’” Ukrainskyi humanitarnyi ohliad (Kyiv), issue 4 (2000): 138-42. Borys Biletsky and Pavlo Mykhailyna’s review article is their personal assessment of the book in question, and in no way should it be considered as reflecting the position of the Journal of Ukrainian Studies or the Canadian Institute of Ukrainian Studies.</em></p>
<p>Roman Senkus, Editor</p>
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CIUS
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CIUS
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CIUS
Date
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Summer–Winter 2000
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Oleh S. Ilnytzkyj, Roman Weretelnyk, Maxim Tarnawsky, Oleh W. Gerus, Vira Aheieva, Myroslav Shkandrij, Nelli Prystalenko, Robert Karpiak, Marko Pavlyshyn, Walter Smyrniw, Halyna Koseharsky, Larissa M. L. Zaleska Onyshkevych, Nevenka Koscevic, Natalia Shostak, Taras Kuzio, Borys Biletsky, Pavlo Mykhailyna, Vsevolod Naulko, Andrij Hornjatkevyč, A. B. Pernal, Paul Robert Magocsi, Henry Abramson, William Noll, Peter J. Potichnyj, Robert Kravchuk, Bohdan Harasymiw, Victor Chudowsky, Robert S. Kravchuk, Nancy Popson, Marta Dyczok, Christine D. Worobec, Myroslav Shkandrij, Bogdan Horbal, Myroslav Shkandrij, John-Paul Himka, Alexander Kratochvil, Jaroslaw Zurowsky
Language
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English
Text
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Natalie Kononenko. <em>Ukrainian Minstrels: And the Blind Shall Sing</em>
Creator
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William Noll
Publisher
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CIUS
Date
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Winter-Summer 2000
Language
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English
Book Review
Natalie Kononenko
William Noll