Literary Criticism as Sacrilege: Turning the Iconostasis into a National Canon
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Ukrainian+Literature">Ukrainian Literature</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Iconography">Iconography</a>
On May 13, 2016 <a href="http://www.ipiend.gov.ua/?mid=161&language=en">Mykola Riabchuk (Senior Research Fellow Institute of Political and Ethnic Studies, AoSU Fulbright Research Fellow, George Washington University)</a> gave the 17th Danylo Husar Struk Memorial Lecture on the topic: <a href="http://sites.utoronto.ca/elul/Struk-mem/lect-2016.html">"Literary Criticism as Sacrilege: Turning the Iconostasis into a National Canon"</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=CIUS">CIUS</a>
CIUS
May 13, 2016
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Mykola+Riabchuk">Mykola Riabchuk</a>
Olena Teliha's Great Peace
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Poetry">Poetry</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Ukrainian+Literature">Ukrainian Literature</a>
CIUS Seminar Audio Part 1 and 2.<br /><br />Mr. Yuriy Stefanyk-Klynowy delivered the twelfth Institute seminar of the 1978-79 academic year at the University of Alberta. On March 20, 1979, he spoke on "Olena Teliha's Great Peace."<br /><br /> The speaker reminisced about his personal encounters with the poetess and examined her work in the light of the criticism of V. Derzhavyn, Iu. Sherekh, B. Boichuk and B. Rubchak. By illustrating his points with direct quotations from O. Teliha's works, he showed how these critics were often in error.<br /><br /> The seminar consisted of three parts: (1) personal reminiscences, (2) an analysis of the author's work, and finally (3) a discussion of her tragic death.<br /><br />Found in <a href="http://cius-archives.ca/items/show/1572">CIUS </a><span style="font-size:13px;color:#000000;font-weight:400;text-decoration:none;font-family:Arial;font-style:normal;"><a href="http://cius-archives.ca/items/show/1572">Newsletter Vol 3 Issue 2 (Spring 1979)</a> </span>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=CIUS">CIUS</a>
CIUS
March 20, 1979
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Yuriy+Stefanyk-Klynowy">Yuriy Stefanyk-Klynowy</a>
English, Ukrainian